HILTON HEAD ISLAND
Perhaps no golf destination in the United States
has continually reinvented itself, and subsequently solidified
its utopian reputation, more effectively than Hilton Head.
Infantile in historical perspective to its neighboring coastal
communities, Hilton Head’s legacy as a world-renowned vacation spot was secured
by two momentous events that occurred in the mid-1950s. One was the opening of a
set of two bridges connecting the 41-square-mile barrier island with the
South Carolina
mainland. The other was the creation of Sea Pines Plantation, a groundbreaking
residential/resort community by a young Georgia businessman named Charles
Fraser.
A little more than 50 years ago, Fraser crafted a model for responsible
land development at Sea Pines, the sprawling resort community on
Hilton Head’s southern tip that flew in the face of convention. Fraser’s
stringent land-use restrictions and covenants—a “reverse bill of rights” someone
once wrote—dictated that the Lowcountry’s extraordinary natural features be
carefully accommodated by planned development and not vice-versa. It’s not
surprising that Fraser’s work at Sea Pines became a benchmark for master-planned
development around the world.
This high level of environmental integrity also prevailed on the island’s
earliest golf courses, which were noteworthy for their pristine ambiance and
myriad natural hazards, from tidal marshes and lagoons teeming with alligators
to massive oaks draped in Spanish moss. Golfers continue to flock the area by
the millions, drawn by the bounty of world-class courses found within the
Lowcountry’s resorts and residential communities. 
George Cobb designed the island’s first course, the Ocean Course at Sea
Pines, in 1961. But Hilton Head truly began its ascent into golf lore with the
1969 opening of Harbour Town Golf Links—the host site of the PGA Tour’s Verizon
Heritage for more than three decades. Also opening in 1969, amid far less
fanfare than Harbour Town, was the Robert Trent Jones Course in
Palmetto Dunes.
In his autobiography, Bury Me in a Pot Bunker, Harbour Town designer Pete
Dye admitted to being influenced by Jones’ work at Palmetto Dunes, albeit
somewhat differently. “As I watched [them] carve out long tees, huge bunkers and
large greens, I wondered how I could design something that could separate my
identity from his,” wrote Dye. “It was intended to show no disrespect to [Jones]
or his great collection of designs. I simply wanted to establish my individual
identity.”
Dye achieved his goal with overwhelming success at Harbour Town; its tight corridors, small greens
and dramatic bunkering ushered in a new era of golf course design. The country’s
top golf writers were beside themselves with praise. In a Sports Illustrated
story entitled, “What A Little Instant Character Can Do,” the great Dan Jenkins
wrote, “Harbour Town is sort of a Pine Valley
in a swamp, a St. Andrews with Spanish moss, and a Pebble Beach with chitlins.” It didn’t hurt that
Arnold Palmer broke out of a 14-month winless slump to capture the first
Heritage Classic. Hilton Head Island was firmly
embedded on golf’s radar screen.
The island evolved into an extraordinary golf destination through the
1970s and ’80s, thanks to a proliferation of quality courses from George Fazio,
Jack Nicklaus, Rees Jones, Arthur Hills, Tom Weiskopf and Bob Cupp. Yet it’s
the venerable Jones Course at Palmetto Dunes that remains one of the island’s
signature layouts. The stature of this oceanfront classic was greatly enhanced
with a major restoration supervised by former Jones protégé Roger Rulewich in
2002. Today the Jones Course and its oceanfront signature hole, the par-five
10th, remain an indelible image for millions of Hilton Head
Island visitors.